Marathon Viewing This Year's Holiday Movies: The Good, The Bad and The So-Bad-It's-Good.
‘Tis the time of year to slob out on the couch and consume a tin of mince pies in front of a good movie, a poor film, or one that’s terrible yet terrific.
Once again, a batch of latest Christmas films strives to join part of our seasonal watchlist—potentially even earning a place alongside beloved favorites like Home Alone, Elf, Love Actually, and Die Hard (no arguments).
Therefore, in a helpful attempt to separate the winners from the losers, and to embrace the Christmas spirit, I watched as many recent holiday releases as possible in a single day.
7.17am - A Very Jonas Christmas Movie
Beginning, optimistically, on a good foot. This release is the exclusive 2025 movie on a famous website's list of the best 100 holiday films of all time.
The popular band are stuck in the UK after concluding their global concert series and must get home for Christmas. Their efforts are hampered by an villainous Saint Nick, who bursts into melody to state they won’t get home until they “find their familial spark.”
The back-and-forth between the bickering brothers is enjoyable even for the non-fan, while followers will certainly catch lots of in-jokes as they endeavor to get back using all transportation available.
It’s a journey of epic proportions.
It’s not an all-time classic, but is great for devotees and a positive start to the day.
Holiday verdict: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their loved ones who must sit through it.
Next: A Star in Panto
Famous performer Kiefer Sutherland has been cast as a Hollywood star cast a traditional British stage show.
“A what's a panto??” asks Sutherland’s “hard-to-work-with” and ageing star Brad Mack, who has seen better days and whose agent has deceived him into thinking he’s performing in high-class London stage.
His Aladdin fellow actors inform him he’s playing Buttons. “Absolutely not,” he protests. One can imagine their retort. That is, unless you’re unfamiliar with traditional stage call-and-response.
There are some very funny lines, some touching side stories, and the rest of the cast is cracking, too.
It’s the type of film that would be a bit tacky at another season, but is a lot of fun at Christmas.
Holiday verdict: 🎄🎄🎄🎄
Mid-Morning: Christmas Karma
An actor shows up at the outset of this film, too, delivering a signature line for the second film in a row. Is this a new Christmas tradition?
This time, he’s a crooning chauffeur who collects Mr Sood, the newest interpretation on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by a star of Kunal Nayyar and Christmas Karma is directed by the filmmaker behind Gurinder Chadha. The familiar story progresses as the stingy Mr Sood is visited by the spirits of Christmas yesterday, today, and tomorrow, played by Hugh Bonneville, Billy Porter, and Boy George.
This cultural adaptation is at least distinct from all the others, but regrettably he’s not very charismatic and Nayyar’s acting is lifeless—a problem when he’s so the main character.
Christmas tree rating: 🎄🎄
Noon: A BBC Special
There’s time for a network's holiday special—which stars Guz Khan as a endearingly grumpy man who “isn't big on Christmas.”
But after he receives an £8,000 Christmas bonus at work, his wife (played by Morgana Robinson) convinces him blowing the money on a holiday to Lapland.
There’s just one problem—he learns there was an error with his bonus, which should have been £800, and he has to devise a plan for how to pay back the difference.
Pleasant yet unmemorable.
Festive score: 🎄🎄
Early Afternoon: Champagne Problems
This is one of those holiday movies where the festive trappings are in the setting—Christmas is the setting of the film rather than its core purpose—but it feels warm and holiday-like all the same.
Driven corporate star Sydney (played by Minka Kelly) is dispatched to a country estate to negotiate a purchase for a sparkling wine company. On the way, she meets a fellow in a literary haven who vows to show her the holidays in the City of Light.
A commentator recently declared this is the best new Christmas film of the past few years. That’s a bit of a overstatement, but it is a holiday love story with a hint of sophistication and gives the necessary heartwarming sensation.
The scene with a detailed conversation about Die Hard is very good too.
Christmas tree rating: 🎄🎄🎄
Mid-Afternoon: Finding Father Christmas
Teenage Chris, played by Lenny Rush, continues to believe in Father Christmas, in spite of the persuasion of his dad (played by James Buckley) to tell him the reality.
The truth is somewhere, and Chris ventures forth to find it with the guidance of a group of well-known scientists and personalities.
It’s gentle but charming, and ideal viewing while waiting for Santa to visit.
Festive score: 🎄🎄🎄
A Star-Studded Family Drama
Michelle Pfeiffer is the matriarch of a dysfunctional American family who come back together for the holidays—including other Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer begins by referencing classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before stating: “They need to make a movie about the real champions of the holidays—moms.”
So that’s the premise, but in practice it’s really a jumble of those forerunner films, at least until Pfeiffer’s character at last takes center stage.
Holiday verdict: 🎄🎄
Evening: A Scottish Christmas Secret
The day’s waned in quality, but happily here’s a new addition in the saturated market of predictable, sentimental, cheesy—and utterly watchable—holiday fare.
It’s a story as familiar as can be: An American woman goes on a quest to a distant snowy land and ends up stumbling across romance.
In this case, Caprice Bourret plays a publisher